Introduction to Zhang Tao
He was born in Anhui, and has been learning the Chinese painting since the childhood following the famous calligraphers Wang Shaoshi and Yang Tianxu in Anhui respectively.
In 1990, he graduated from Art Department of Huaibei Coal Industry Teachers College in Anhui Province.
In 1990, he held the Painting Exhibition of Zhang Tao in "Anhui Corridor" of Hefei in Anhui Province for the first time.
In 1992, he studied in Beijing Fine Art Academy and learnt from Wang Peidong.
In 1993, the Painting Exhibition of Zhang Tao was held by Beijing Fine Art Academy and the National Art Museum of China.
In 1993, he learnt in Postgraduate Department in Chinese National Academy of Arts and learnt from to widely learn about the Chinese and foreign fine arts and art history theory in the process of learning theories and painting.
In 1997, he began to learn the plucked instrument (Chinese zither) art following Yushan Wu School, and meanwhile studied the famous classic songs including A Parting Tune with A Thrice Repeated Refrain, Cry Over Yanhui, Wine Fanatic, Beautiful Night Tune, A Conversation Between God and Man, Wild Geese Alighting on Sand.
In 1998, he kowtowed the famous master of studies of Chinese ancient civilization Feng Qiyong as the teacher and formally became his disciple. Under the guidance of Mr. Feng, he perfected his techniques and cultivated the virtues, deeply learnt and studied the classical Chinese literature, history and art, as well as the sister art in the western literature history and other fields.
From 2000 to nowadays, he has been involved in researches of the western nomad national cultures and arts, marching the south and north of Tianshan Mountain for multiple times and travelling to the plateau. During this period, he widely explored the migration history of the western nomad, primitive religion, folk taboo, folk culture and folk art, as well as the grassland stone persons, deer stones and cliff paintings. In 2002, he became kyuebala of Naiman Tribe in KZ.
Since 2010, he has been accompanying Professor Cheng Yuan from Art College of Jimei University, Mr. Yao Jun, vice doctor of Art Philosophy from British Wales University, Miss Sophie, doctor in Beijing Normal University for long-term grassland investigation of nomad cultures in Barkol, Changji, Ili, Tacheng and Altay regions and searching and visiting the folk "Arentes Arken" and "Ahhlebacus".
Address:4816 East Green Apple DR Regina SK CA
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Email:CanadaArt.zt@gmail.com
Website: www.canadaart.net
Introduction to Zhang Tao
He was born in Anhui, and has been learning the Chinese painting since the childhood following the famous calligraphers Wang Shaoshi and Yang Tianxu in Anhui respectively.
In 1990, he graduated from Art Department of Huaibei Coal Industry Teachers College in Anhui Province.
In 1990, he held the Painting Exhibition of Zhang Tao in "Anhui Corridor" of Hefei in Anhui Province for the first time.
In 1992, he studied in Beijing Fine Art Academy and learnt from Wang Peidong.
In 1993, the Painting Exhibition of Zhang Tao was held by Beijing Fine Art Academy and the National Art Museum of China.
In 1993, he learnt in Postgraduate Department in Chinese National Academy of Arts and learnt from to widely learn about the Chinese and foreign fine arts and art history theory in the process of learning theories and painting.
In 1997, he began to learn the plucked instrument (Chinese zither) art following Yushan Wu School, and meanwhile studied the famous classic songs including A Parting Tune with A Thrice Repeated Refrain, Cry Over Yanhui, Wine Fanatic, Beautiful Night Tune, A Conversation Between God and Man, Wild Geese Alighting on Sand.
In 1998, he kowtowed the famous master of studies of Chinese ancient civilization Feng Qiyong as the teacher and formally became his disciple. Under the guidance of Mr. Feng, he perfected his techniques and cultivated the virtues, deeply learnt and studied the classical Chinese literature, history and art, as well as the sister art in the western literature history and other fields.
From 2000 to nowadays, he has been involved in researches of the western nomad national cultures and arts, marching the south and north of Tianshan Mountain for multiple times and travelling to the plateau. During this period, he widely explored the migration history of the western nomad, primitive religion, folk taboo, folk culture and folk art, as well as the grassland stone persons, deer stones and cliff paintings. In 2002, he became kyuebala of Naiman Tribe in KZ.
Since 2010, he has been accompanying Professor Cheng Yuan from Art College of Jimei University, Mr. Yao Jun, vice doctor of Art Philosophy from British Wales University, Miss Sophie, doctor in Beijing Normal University for long-term grassland investigation of nomad cultures in Barkol, Changji, Ili, Tacheng and Altay regions and searching and visiting the folk "Arentes Arken" and "Ahhlebacus".
